As luck, or perhaps fate, would have it, Emilia was on hand to rescue him. A Russian supervillain known for his fondness for elaborate traps had ensnared him. On a typical afternoon, while walking home from her bookshop job, she accidentally stumbled upon a peculiar sight - a handsome, athletic man, trapped in an intricate contraption that looked straight out of a Jules Verne novel. One day, Emilia’s relatively quiet life took a dramatic turn. The hybrid steam-electric locomotive was a sight to behold, trailing a puff of steam as it snaked its way through the city, belching and hissing, pulsating with energy and the promise of a different era. The rumble of the city, the creaking of iron, the whirring of gears, the ever-present cloud of steam – they were like a symphony to her.īut what defined this cityscape more than anything was the steam train, a marvel of engineering that encapsulated the steampunk aesthetic of downtown LA. Her favorite spot was the armchair that sat next to the enormous window pane, where she would sit, engrossed in a book while sipping her steam-infused coffee. Here, modern comfort met an unmistakably old-world charm. Antique bronze clockwork detailing, leather-bound books, vintage artifacts, and mechanical wonders adorned her living space. A stark contrast to the sky-scraping glass towers of the conventional metropolis, these structures had an indefinable allure, characterized by a robust industrial feel mixed with a romantic antiquity.Įmilia’s loft was the epitome of this spirit, boasting a gigantic rounded window pane that offered a panoramic view of the cityscape. Her steampunk live/work loft, a testament to industrial architecture and 19th-century charm, was nestled amidst towering buildings of iron and brass, peppered with exposed steam pipes and whirling gears. A young brunette lady with bright, adventurous eyes, Emilia was the epitome of the vivacious spirit of this city, blending perfectly with the vintage steampunk aesthetic that seemed to permeate every brick, every cobblestone of her beloved hometown. REAL ESTATE FANTASY (Los Angeles, CA) - Emilia Rose was a rare gem in the bustling, steam-driven downtown Los Angeles, where modernity meets Victorian age in a glorious mashup that was breathtaking to behold. The graphic, cartoon-like character of the facade communicates its live/work function with the relief of a naive office block stacked above the apex of a pitched roof.įor more inspiring live/work spaces explore our Collections Page.What a Story! Young Woman Saves Secret Agent Using Steam Laser in Steampunk Los Angeles!” Renovated by Piero Portaluppi in the 1930s, the nineteenth-century neo-Classical palazzo home of Italian architect Mario Bellini is oriented around his extensive library. Largely confined to a mezzanine, the collection expands over a scaffold-like structure that surrounds the staircase and runs through the centre of the house.Ĭompleted in 2002, Blue House was a home and studio-office space for former FAT Architect Sean Griffiths. Intended as a multi-purpose space, the ground floor housed a working studio with a movable integrated desk and storage unit that could be transferred to different areas within the space depending on the studios needs. Awarded the prestigious RIBA Manser Medal, the house was described as an ‘urban sanctuary’ with a beautifully sculptural form. Throughout their lives the studio was interchangeably used as a base for their design practice, a guest suite and home office.ĭesigned by architect Carl Turner as his own elegant home and studio, Slip House was sold by The Modern House in 2014. Playful interiors with primary colours distinguished living areas from the more formal employee studio.Įames House became the couples’ creative studio and residence from 1949 until Charles’ death in 1978 and Ray’s death in 1988. Originally designed as a Case Study House, the space is divided between two separate structures which defined their public and private purpose but allowed for flexibility. Dow used distinct aesthetics and colour palettes to clearly define the domestic and professional space. Dow designed this home and studio to house his own practice in 1933. Known for his association with Frank Lloyd Wright, architect Alden B. Adapted into a home and studio with an L-shaped office space, the design embodied his approach to architecture as “the art of organising space”. As we head back to work, we’re thinking about spaces that inspire and six architects who found the secret to the ultimate live/work environment.īelgian architect Renaat Braem built this home for himself and his wife, graphic artist Els Severin, in 1958.
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